中英翻译文章阅读11篇（完整）

中英翻译文章阅读飞翔的杀手正受到威胁Couldanythingbemoremajestic,sereneorthreateningthanthelarges下面是小编为大家整理的中英翻译文章阅读11篇,供大家参考。

中英翻译文章阅读篇1

飞翔的杀手正受到威胁

Could anything be more majestic, serene or threatening than the largest bird of prey in theworld, the harpy eagle, soaring above its domain? Weighing nine kilograms and with a 2.2-metre wingspan, this giant of the 。sky glides at 65 kilometres per hour over dense Brazilianrainforest. Its cruel head with flaring coloured crest and huge hooked beak twists constantlyfrom side to side.

有什么比世界上最大的食肉猛禽热带大雕在它的领地上方搏击长空更加壮丽，更加安详，又更具威胁性呢？体重九公斤，翼幅达2.2米的空中巨物在茂密的巴西雨林上空以每小时65公里的速度滑翔。它那长着展开的有色肉冠和巨大钩状鹰嘴的残暴的脑袋木断地向两边扭来扭去。

It spots a monkey in a treetop 2.5 kilometres away and zeroes in on its prey. The monkeymunches on, oblirious to the threat. Then the eagle strikes,plucking its prey from its perchwith talons bome on legs the thickness of your wrists. The monkey dies instantly, pierced bythe talons. The eagle carries the body back to its treetop lair. The famed and feared harpyeagle has killed again.

它发现了2.5公里之外树梢上的一只猴子，就立即把注意力集中在这只猎物身上。猴子全然不知威胁的存在，仍在津津有味地咀嚼着。大雕发起了进攻，用它的利爪将猎物从树枝上一把抓了起来，那利爪长在与人的手腕一般粗的腿上。被利爪刺穿了的猴子刹时间一命呜呼。大雕将其尸体带回树梢上的窝里。鼎鼎大名、令人生畏的热带大雕又杀生了。

Whether this frightening creature does indeed soar like other eagles in search of prey is opento conjecture 。 Forless is known about the harpy than any other eagle-the remoteness of itshabitat sees to that. But it has been seen carrying monkeys, sloth and even small deer back toits nest.

这吓人的热带大雕捕食时是否真的和其他鹰类一样翱翔还没有定论，尚待猜测。人们对大雕的了解比对其他鹰类的了解都少——这是因为它的栖息地十分遥远而造成的，但确实见过它将猴子、树獭甚至小鹿带回巢中。

This eagle"s extraordinary eyesight is one of its greatest assets. Like many other eagles, it cansee between four and eight times as much detail as canhumans. The result is an ability to seeclearly a smaU monkey at a distance of up to 2.5 kilometres and to judge distances withpinpoint accuracy 。 The latter is an obvious requirement if prey is to be snatched at speed.

大雕非凡的视力是其最大的优势之一。和许多其他鹰类一样，它看清细节的能力比人类要强四至八倍。这样它就能够看清两点五公里以外的一只小猴子，并能极精确地判定距离，若想快速抓获猎物，准确判断距离很明显是必需的。

It"s hard to believe that a creature so well equipped to survive could- ever find itself underthreat. But with huge tracts of rainforest being felled in Centraland South America, the harpy"sfood sources are harder to find.

令人难以置信的是生存条件如此优越的生物竟然也会处于威胁之中，但随着中、南美洲大片热带雨林的被砍伐，大雕的食物来源更为困难。

The threat posed could soon be similar to that facing the harpy"s near relative, the Philippinesmonkey-eating eagle. This acutely threatened bird was reduced in numbers to fewer than 100in the wild by the loss of its forest habitat and by the heavy demands of trophy hunters in thePhilippines.

不久，这种威胁就会和热带大雕的近亲——菲律宾食猴鹰所面临的威胁相似了。由于森林栖息地的丧失和菲律宾猎手的大量捕杀，这种受到严重威胁的鸟类的野外数量已减少到不足100只。

Like its Filipino cousm, the harpy eagle nests in the tops of the largest forest trees. It thereforeneeds an intact forest to breed. The seemingly invinable harpy is vulnerable for anotherreason. A mating pair is thought to produce only one eaglet every two years. Harpy eggs takeup to 60 days to hatch and chicks take a further 60 days before they learn to fly. What ismore, the youngster is fed by the parents for many months after it has learned to fly. Annualbreeding then is impossible.

和它的菲律宾同伴一样，热带大雕把巢筑在最大的树顶上。因此，它的繁殖需要一个保持完好的森林环境。似乎不可战胜的热带大雕易受伤害还有一个原因。据信，一对交配的大雕每两年才能生下一个雏雕。雕蛋的孵化需要60天，雏雕学飞之前还需60天。而且，雏雕学会飞行之后还需父母喂养多月。因而，大雕不可能每年繁殖。

Folklore has long held that the harpy eagle preys on human babies as well as forest animals. Tothe ancient Mayans of CentralAmerica the bird was Moan,a bird of ill omen and death. The harpyfrom which the eagle derives its name was a mythical wreaker of vengeance. Yet there is noevidence, according to British naturalist Leslie Brown, that children have ever been taken bythe harpy.

民间传说里，一直认为热带大雕既捕食森林动物，也捕食婴儿。对中美洲的古代玛雅人来说，热带大雕就是Moan，一种带来不祥和死亡的鸟。鹰的名字来自哈比（ Harpy），神话中的一个复仇者。然而，按照英国博物学家莱斯利·布朗的说法，还没有证据表明大雕曾经掠走过小孩。

But the Anglia Television Company fflm crew from England that compiled a televisiondocumentary titled Fury of the Forest can vouch for the harpy"s ferociousness when its nest isthreatened. One camera team was attacked when filming a pair of harpys mating and nesting.

但制作电视纪录片《森林的愤怒》的英国英吉利电视公司的拍摄人员可以证明：热带大雕，在它的巢穴受到威胁时，是无比凶暴的。一个摄制组在拍摄一对大雕交配和筑巢时受到了它们的袭击。

The harpy eagle does not face the same immediate threat as its Filipino cousin. But if thedestruction of its forest habitat continues at its present rate, the largest of avian predators,too, could join those birds already on the endangered species list. Leslie Brown wrote in 1976that nearly half of the 59 species of eagle were under threat. Those who appreciate naturewill be hoping that the harpy can surmount this threat, to soar on over the forests of SouthAmerica.

中英翻译文章阅读篇2

琴匣子中的生趣

Alexander Bloch

亚历山大·布洛克

In order to tell what I believe, I must briefly sketch something of my per-sonal history.

为了阐明我生活的信条，我必须简单介绍一下我的经历。

The turning point of my life was my decision to give up a promising business career and studymusic. My parents, although sympathetic, and sharing my love of music, disapproved of it as aprofession. This was understandable in view of the family background. My grandfather hadtaughtmusic for nearly forty years at Springhill College in Mobile and, though much beloved andrespected in the community, earned barely enough to provide for his large family. My fatheroften said it was only the hardheaded thriftiness of my grandmother that kept the wolf at bay. As a consequence of this example in the family, the very mention of music as a professioncarried with it a picture of a precarious existence with uncertain financial rewards. My parentsinsisted upon college instead of a conservatory of music, and to college I went-quite happily,as I remember, for although Iloved my violin and spent most of my spare time practicing, I hadmany other interests.

我生活的转折点是我决定不做发迹有望的商人而专攻音乐。我父母虽然同情我，也像我一样热爱音乐，却反对我以音乐为职业。考虑到我的家庭情况，他们的这种态度是完全可以理解的。我祖父在莫比尔的斯普林希尔学院教授音乐达40年之久，深受学院师生的热爱和敬重，他的工资却几乎不够维持一大家人的生活。父亲常说若不是祖母精明能干，克勤克俭，一家人非挨饿不可。所以在我们家，只要一提起音乐这个行当，大家就会想起那收入微薄、朝不保夕的苦日子。父母坚持要我上大学，不准我进音乐学院，我也就上了大学。我记得自己当时还挺高兴，因为虽然我热爱小提琴，大部分课余时间都花在练琴上，但我还有许多其他的爱好。

Before my graduation from Columbia, the family met with severe financial reverses and I felt itmy duty to leave college and take a job. Thus was I launched upon a business career-which Ialways think of as the wasted years.

不等尊从哥伦比亚大学毕业，家庭经济严重恶化，我感到自己有责任退学找工作，就这样我投身子商界——事后我每次想起这段经历都觉得是虚度了年华。

Now I do not for a moment mean to disparage business. My whole point is that it was not forme. I went into it for money, and aside from the satisfaction of being able to help the family,money is alll got out of it. It was not enough. I felt that life was passing me by. From beingmerely discontented I became acutely miserable. My one ambition was to save enough toquit and go to Europe to study music.I used to get up at dawn to practice before I left for"downtown," distracting my poor mother by bolting a hasty breakfast at the last minute.Instead of lunching with my business associates, I would seek out some cheap cafe, order ameager meal and scribble my harmony exercises. I continued to make money, and finally, bitby bit, accumulated enough to enable me to go abroad. The family being once more solvent,and my help no longer necessary, I resigned from my position and, feeling like a man releasedfrom jail, sailed for Europe. I stayed four years, worked harder than I had ever dreamed ofworking before and enjoyed every minute of it.

我从来无意贬低经商，我的意思是它不适合我。我经商只是为了挣钱。除了能补贴家用给我带来一点满足以外，我从这项职业得到的唯一东西就是钱。这是不够的。我感到年华似水从我身边流走。对职业的不满使我痛苦不堪。我唯一的抱负就是积攒足够的钱，然后改行，到欧洲去学音乐。于是，我天天黎明即起，练习小提琴，再去“商业区”上班，几乎来不及囫囵吞下仓促准备的早餐，搞得我可怜的妈妈惶恐不安。我不与商界同事共进午餐，总爱找个便宜的餐馆，随便混上一顿，信手写些和声练习曲。。我不停地挣钱，终于，一分一分地攒够了出国的钱。这时，家庭经济情况也好转了，不再需要我的帮助。我辞去商务，感到自己像出狱的犯人一样自由，乘船去了欧洲，一去就是四年。我学习要比从前想象的刻苦得多，然而生活得很快乐。

"Enjoyed" is too mild a word. I walked on air. I really lived. I was a freeman and I was doingwhat I loved to do and what I was meant to do.

“快乐”一词还不足以表达我的心情。我是乐不可支，飘飘欲仙了。我过着真正的生活。我是个自由人，做我爱做的、命中注定要做的事情。

If I had stayed in business I might be a comparatively wealthy man today, but I do not believeI would have made a success of living. I would have given up all those intangibles, those innersatisfactions that money can never buy, and that are too often sacrificed when a man"sprimary goal is finanaal success.

假如我一直经商，今天可能已经成了一个相当富有的人，但我认为我那时的生活并没有带来成功；为了金钱我可能放弃了一切无形的东西，放弃了精神上的种种乐趣，那是金钱永远买不来的，一个人要是把获取金钱当做主要的奋斗目标，他的精神乐趣就常常被牺牲了。

When I broke away from business it was against the advice of practically all my friends andfamily. So conditioned are most of us to the association of success with money that thethought of giving up a good salary for an idea seemed little short of insane. If so, all I can say is"Gee ， it"s great to be crazy."

我毅然脱离商业，几乎违背了所有的亲友的劝告。我们大多数人习惯把成功与金钱连在一起。那种为理想而放弃高薪的念头简直会被人认为是疯子的念头。如果真是如此，我倒要说一声：“咦！疯子真了不起！”

Money is a wonderful thing, but it is possible to pay too high a price for it.

钱固然是好东西，但是为了钱而付出的代价往往太高昂了。

中英翻译文章阅读篇3

A Few Memories of Mr. Lu Xun

萧红

Xiao Hong

鲁迅先生家里的花瓶，好像画上所见的西洋女子用以取水的瓶子，灰蓝色，有点从瓷釉而自然堆起的纹痕，瓶口的两边，还有两个瓶耳，瓶里种的是几棵万年青。

Mr. Lu Xun had a plant pot in his sitting-room. It looked like the jar European women fetchedwater with, as shown in paintings. It was of a bluish-gray, with a few ripples naturally embossedwith its own glaze and, on either side of it, there was a handle close to the top. Planted in itwas some evergreen.

我第一次看到这花的时候，我就问过：

The first time I visited Mr. Lu Xun I asked:

“这叫什么名字？屋中既不生火炉，也不冻死？”

“What is the name of this plant? There is no fire in the room, but it is not frozen.”

每一次，走进鲁迅家里去，那是快近黄昏的时节，而且是个冬天，所以那楼下室稍微有一点暗，同时鲁迅先生的纸烟，当它离开嘴边而停在桌角的地方，那烟纹的卷痕一直升腾到他有一些白丝的发梢那么高。而且再升腾就看不见了。

It was toward evening one winter day. The sitting-room downstairs was dim. Mr. Lu Xun wassmoking a cigarette. When he took it away from his lips, holding it between his fingers at thecorner of his desk, small puffs rose as high as the top of his grayish hair and, further up, theywere no longer visible.

“这花，叫‘万年青’，永久这样！”他在花瓶旁边的烟灰盒中，抖掉了纸烟上的灰烬，那红的烟火，就越红了，好像一朵小花似的，和他的袖口相距离着。

“This plant is called evergreen. It’s always like that.” He flicked the cigarette ash to the ashtraynext to the pot and the cigarette grew redder still like a small flower glimmering two or threeinches from the cuff of his sleeve.

“这花不怕冻？”以后，我又问过，记不得是在什么时候了。

“It is not affected by the cold, is it?” I asked another time, not remembering exactly when.

许先生说：“不怕的，最耐久！”而且她还拿着瓶口给我摇着。

“No, it is not.” said Mrs. Lu. “It’s a very tough plant.” She held the pot by the top, shaking it forme to see.

我还看到了那花瓶的底边是一些圆石子，以后，因为熟识了的缘故，我就自己动手看过一两次，又加上这花瓶是常常摆在客厅的黑色长桌上，又加上自己是来自寒带的北方，对于这在四季里都不凋零的植物，总带着一点惊奇。而现在这“万年青”依旧活着，每次到许先生家去，看到那束花，有时仍站在那黑色的长桌上，有时站在鲁迅先生照像的前面。

I noticed there were some pebbles around the bottom. Later, as I got to know them better,went up to the black table once or twice for a closer look at the plant. As I came from the coldnorth I always wondered why this plant did not wither even in winter.

花瓶是换了，用一个玻璃瓶装着，看得到淡黄色的须根，站在瓶底。

The plant was now still alive. Sometimes it was placed on the black table, other times in front ofMr. Lu Xun’s photograph. But it had been transplanted into a glass pot through which theiryellowish roots could be seen at the bottom.

有时候许先生一面和我们谈论着，一面检查房中所有的花草。看一看叶子是不是黄了？该剪掉的剪掉，该洒水的洒水，因为不停地动作是她的习惯。有时候就检查着这“万年青”，有时候就谈着鲁迅先生，就在他的照像前面谈着，但那感觉，却像谈着古人那么悠远了。

Mrs. Lu would chat with us while moving from one plant to another, checking if any of them hadturned yellow or needed clipping or watering. She would keep herself busy in her room.Sometimes she examined the evergreen, sometimes she talked of Mr. Lu Xun, in front of hisphotograph, as if of someone of remote past.

至于那花瓶呢？站在墓地的青草上面去了，而且瓶底已经丢失，虽然丢失了也就让它空空地站在墓边。我所看到的是从春天一直站到秋天；它一直站到邻旁墓头的石榴树开了花而后结成了石榴。

But where was the pot now? It was standing in the graveyard, in the grass, its bottom missing.The bottomless, empty pot had been there spring through autumn until the pomegranate atthe head of the neighboring tomb had blossomed and borne fruit.

从开炮以后，只有许先生绕道去过一次，别人就没有去过。当然那墓草是长得很高了，而且荒了，还说什么花瓶，恐怕鲁迅先生的瓷半身像也要被荒了的草埋没到他的胸口。

Since the Japanese bombardment of Shanghai only Mrs. Lu has made a detour to visit thetomb, but no others have ever been there. The tomb must have been overgrown with wildgrass and the porcelain bust of Mr. Lu Xun buried up to the chest, not to mention what wouldhave happened to the pot.

我们在这边，只能写纪念鲁迅先生的文章，而谁去努力剪齐墓上的荒草？我们是越来越远了，但无论多么远，那荒草是总要记在心上的。

As for us over here, there is not much we can do but write some memorial articles. But whowill go and trim the grass on his tomb? We are getting further and further away from him, butno matter how far away we are, we must remember the grass on his tomb.

中英翻译文章阅读篇4

The Forgetful Song Thrush

蓝曼

Lan man

那天，我刚刚走进滨河公园，便听到从小树林中传出了画眉的叫声。顺声走去，我看见一只画眉正在花坛里跳来跳去。我仔细观察，寻找它腿上应该有的细索，结果没有看到。啊，这是一只跳出樊笼自由的鸟儿。它自由自在地，一会儿跳上月季的花枝，扬起头来歌唱一阵，一会儿又跳进草丛里，尾巴一翘一翘，向我张望。它那得意的神态，确实招人喜爱。

The other day when I went into Riverside Park, I was greeted by the chirrup of a song thrushfrom a grove. Walking towards the sound I saw the thrush hopping about in a flower bed. Ilooked carefully trying to spot a tiny piece of string that should have been fastened to its leg,but in vain. Ah, it must have escaped from its cage. It was a free bird! One moment it jumpedonto a rose spray and sang with its head high, the next it plunged into the grass and looked atme with its tail waving up and down. Its proud and self-satisfied manner was really enchanting.

在离它不远的草地上，有一只鸟笼。涂了漆的竹篾儿，根根洁净、整齐。笼顶上的那个大笼钩儿，锃明瓦亮。笼门上还挂着一个大红绒穗子，好看极了。若与住房比拟，这可算是一幢相当豪华的住宅了。

Not far from the bird on the grass was a bird cage. It was made of painted bamboo strips andlooked neat and clean. On top of the cage stood a big gleaming metal hook. From the cage-door hung a fiery red tassel, which added to the magnificence of the cage. As birdhouses go,this was certainly a luxurious residence.

在附近的马缨花树下，一位老人正坐着打瞌睡。看来，他就是鸟笼的主人。他听到我的脚步声，睁开了睡眼。我主动向他打招呼：

An old man was dozing under a nearby hibiscus tree. He seemed to be the owner of the cage.Hearing my approaching steps he opened his eyes. I began the dialogue.

“老师傅，你的画眉逃出了笼子！”

"Hello. You bird has got out."

“是的，让它散散步。”

"Yeah. Let it go for a stroll."

“不怕它飞走了么？”我说。

"Aren"t you afraid it might fly away?"

老人望了望我，又冷冷一笑：“飞走，往哪儿飞！它舍不得那个食罐儿！”

The old man cast a glance at me and gave an uncaring smile. "Fly away? But why should it? Itcan"t leave the food bowl."

我望望食罐儿，并没有什么特殊之处，只不过是细瓷印有一枝梅花罢了。罐中的鸟食是些黄澄澄的颗粒，有一缕野草的清香散发出来。这不外乎把泡软了的小米拌上煮熟了的蛋黄，也许又加了一点什么香料之类，没有什么稀奇。

Examining the bowl carefully, I found nothing special about it. It was no more than a small finechina bowl with a plum design on the side. The bird food in it was some yellow grains whichgave off the refreshing smell of wild grass. I thought it must be a mixture of soaked millet andthe yolk of boiled eggs, perhaps with some condiments added to it. There was nothing specialabout it.

我把我的看法向老人说了。他摇了摇头，没有说什么，只冲着我微笑。我不好再追问他，也许在养鸟这门学问里面，各有各的绝招儿，其中奥秘不愿告人。

I told the old man what was on my mind, but he just shook his head and smiled at me withoutsaying a word. I knew better than to keep on inquiring, for each has his own tricks in raisingbirds and such secrets must never be given away.

这里我瞧见那只自由的鸟儿，从从容容地走进了笼门儿。啪的一声，老人随后把笼门关上。画眉得意洋洋，立在食罐上正啄食那黄澄澄的颗粒。我走出公园想着，那食罐里放了什么样的“迷魂药”，竟使一只美丽的画眉，只会唱歌而忘却了自己的一双翅膀？！

Just at that moment I saw the carefree bird walk into the cage at a leisurely pace. Seeing thathis bird was re-encaged, the old man slid down the cage-door with a click. Standing on the rimof the bowl complacently, the thrush had already begun to peck at its food. As I left the park, Iturned over in my mind a recurring question—what was the magic in the food that had madethis beautiful bird sing so happily but forget about its wings?

中英翻译文章阅读篇5

Fond Memories of Autumn

史铁生

Shi Tiesheng

双腿瘫痪后，我的脾气变得暴怒无常。望着天上北归的雁阵，我会突然把面前的玻璃砸碎；听着听着李谷一甜美的歌声，我会猛的把手边的东西摔向四周的墙壁。母亲就悄悄地躲出去，在我看不见的地方偷偷地听着我的动静。当一切恢复沉寂，她又悄悄地进来，眼边红红的，看着我。

When my legs were first paralyzed, my temper became terrible. Looking at the lines of wildgeese flying back north, I would suddenly smash the window pane in front of me. Listening tothe sweet songs sung by the famous singer Li Guyi, I would throw whatever happened to be onhand at the wall. On these occasions Mother would steal out quietly, watching me from a placewhere I could not see her. When I calmed down, she would come back softly and gaze at mewith sad eyes.

“听说北海的花儿都开了，我推着你去走走。”她总是这么说。母亲喜欢花，可自从我的腿瘫痪后，她侍弄的那些花都死了。

“They say that the flowers in Beihai Park are in bloom now. Let me wheel you there,” she usedto say. Mother loved flowers dearly, but ever since my legs became paralyzed, all her flowershad died.

“不，我不去！”我狠命地捶打这两条可恨的腿，喊着，“我活着有什么劲！”母亲扑过来抓住我的手，忍住哭声说：“咱娘儿俩在一块儿，好好儿活，好好儿活……”

“No, I won’t go!” I shouted, while beating my cursed legs as hard as I could. “What am I stillliving for?” Mother would then rush up to me, holding my hands in hers and saying betweensubdued sobs, “The two of us should live together happily, happily…”

可我却一直都不知道，她的病已经到了那步田地。后来妹妹告诉我，她常常肝疼得整宿翻来覆去地睡不了觉。

Although I did not know it, she had been seriously ill herself all the time. It was my youngersister who told me later that mother had often been kept awake the whole night with pains inthe liver.

那天我又独自坐在屋里，看着窗外的树叶唰唰啦啦地飘落。母亲进来了，挡住窗前：“北海的菊花开了，我推着你去看看吧。”她憔悴的脸上现出央求般的神色。“什么时候？”“你要是愿意，就明天？”她说。我的回答已经让她喜出望外了。“好吧，就明天。”我说。她高兴得一会儿坐下，一会站起：“那就赶紧准备准备。”“哎呀，烦不烦？几步路，有什么好准备的！”她也笑了，坐在我身边，絮絮叨叨地说着：“看完菊花，咱们就去‘仿膳’，你小时候最爱吃那儿的豌豆黄儿。还记得那回我带你去北海吗？你偏说那杨树花是毛毛虫，跑着，一脚踩扁一个……”她忽然不说了。对于“跑”和“踩”一类的字眼儿，她比我还敏感。她又悄悄地出去了。

One day I was alone in the room, watching the rustling fall of autumn leaves through thewindow when Mother came in. She stood between me and the window and said, “Thechrysanthemums in Beihai are blossoming. Do let me take you there for a visit.” Her sad eyes inher haggard face silently implored me. “When?” I asked.“Tomorrow, if it suits you,” she replied,pleasantly surprised at my interest.“Okay, tomorrow then,” I agreed. She was so delighted thatshe did not know whether to sit or to stand.“Let’s get ready right now,” she suggested. “Oh,what a bore! Do we need to get ready for a park just a few steps away?”I said. She burst outlaughing herself, sat down beside me and murmured, “After we’ve seen the chrysanthemums,we’ll dine at Fang Shan Restaurant. You used to love their puree of peas best when you were alittle boy. Still remember our last tour to Beihai? You insisted that the poplar flowers be wormsand ran to stamp on them one by one…” Here she broke off abruptly, more sensitive towords like “run” than I ever was. She went out again gently.

她出去了，就再也没有回来。

Yes, she went out, never to come back.

邻居们把她抬上车时，她还在大口大口地吐着鲜血。我没想到她已经病成那样。看着三轮车远去，她绝没有想到那竟是永远的诀别。

When the neighbors carried her onto the tricycle flatcart, she was still vomiting mouthfuls ofblood. I had never thought she could have been so seriously ill. Watching the three-wheeler go,I had not expected it would be her departure to eternity.

邻居的小伙子背着我去看她的时候，她正艰难地呼吸着，像她那一生艰难的生活。别人告诉我，她昏迷前的最后一句话是：“我那个有病的儿子和我那个还未成年的女儿……”

The young man next door carried me on his back to the hospital to see her. She was gaspingher last, in just the same way as she had lived her entire hard life. I was told later that her lastwords before passing away were: “I have an invalid son and an unmarried daughter…”

又是秋天，妹妹推我去北海看了菊花。黄色的花淡雅，白色的花高洁，紫红色的花热烈而深沉，泼泼洒洒，秋风中正开得烂漫。我懂得母亲没有说完的话。妹妹也懂，我俩在一块儿，要好好儿活……

It was another autumn when my sister wheeled me to Beihai park to see the chrysanthemums.The yellow ones were simple and elegant; the white ones, pure and noble; and the purple ones,warm and deep; all were in full bloom, dancing in the autumn breeze. I came to know whatmother hadn’t had time to finish, and so did my sister. We should live together happily…

中英翻译文章阅读篇6

正直

-From A Mother in Mannville

——节选自《妈妈住在曼菲尔》

M.K.Rawlings

M.K.罗林兹

The Orphanage is high in the Carolina mountains. Sometimes in winter the snowdrifts are sodeep that the institution is cut off from the village below,from all the world. Fog hides themountain peaks, the snow swirls down the valleys, and a wind blows so bitterly that theorphanage boys who take the milk twice daily to the baby cottage reach the door with fingersstiff in anagony of numbness.

在卡罗来纳的山地里，有一座孤儿院坐落在高处。隆冬时节，风雪交加，有时候积雪堆得老高，将孤儿院与山下的村庄乃至整个外界完全隔断。云雾遮蔽了重重峰峦，雪花飞旋着冲人山谷。在呼啸的寒风中，孤儿院的男孩们将一份份牛奶端到育婴房去，一天得跑两趟呢。当他们走到育婴房门口的时候，手指冻得僵硬，一点儿都不听使唤了。

I was there in the autumn. I wanted quiet, isolation, to do some troublesome writing. I wantedmountain air to blow out the malaria from too long a time in the subtropics. I was homesick,too, for the flaming of maples in October,and for corn shocks and pumpkins and black-walnuttrees and the lift of hills. I found them all, living in a cabin that belonged to the orphanage, halfa mile beyond the orphanage farm. When I took the cabin, I asked for a boyor man to comeand chop wood for the fireplace. The first few days were warm, I found what wood I neededabout the cabin, no one came, and Iforgot the order.

我秋天就到了那里。我需要安静，与世隔绝，好从事艰辛的创作。我需要山里的清风，把久居亚热带地区染上的疟疾吹散。我还想起家来，老惦着那十月间的枫叶似火，那一垛垛玉米秫秸，南瓜成堆，黑胡桃林子，还有隆起的山丘。我住在孤儿院的一间小屋里，距院农场有半英里，这一切尽收眼底。我住进去的时候，要求派个男孩或者男人帮我劈柴烧壁炉。头几天还算暖和，我在小屋的四周捡了点木柴，没见人来，也就把这话给忘了。

I looked up from my typewriter one late afternoon, a little startled. A boystood at the door,and my pointer dog, my companion, was at his side and had not barked to warn me. The boywas probably twelve years old, but undersized. He wore overalls and a torn shirt, and wasbarefooted.

一天傍晚，我正在打字，猛抬头不禁吃了一惊：有个男孩站在房门口，而跟我做伴的猎狗竟在他身边默默呆着，连个招呼也没跟我打一声。这孩子大概有12岁，不过个子没那么大，他穿着一条工装裤，一件破旧的衬衣，光着两脚。

He said, "I can chop some wood today."

他说：“我今天可以劈点儿木柴。”

I said, "But I have a boy coming from the orphanage."

我说：“可我请了孤儿院的孩子来劈。”

"I"m the boy."

“我就是。”

"You? But you"re small."

“是你？可你还小呢。”

"Size don"t matter, chopping wood," he said. "Some of the big boys don"t chop good. I"ve beenchopping wood at the orphanage a long time."

“劈柴火可不论个头儿，”他说，“有的大孩子还劈不好呢。我在孤儿院劈了好长一阵了。”

I visualized mangled and inadequate branches for my fires. I was well into my work and notinclined to conversation. I was a little blunt."Very well. There"s the ax. Go ahead and see whatyou can do."

我想象中出现了砍得乱七八糟的树枝子，供不上壁炉烧的。我一心在写作，没有心思搭理他，话也说得有点生硬：“好了好了，去拿斧子吧。先劈劈再看吧。”

I went back to work,closing the door. At first the sound of the boy dragging brush annoyedme. Then he began to chop. The blows were rhythmic and steady, and shortly I had forgottenhim, the sound no more of an interruption than a consistent rain. I suppose an hour and ahalf passed, for when I stopped and stretched, and heard the boy"s steps on the cabin stoop,the sun was dropping behind the farthest mountain, and the valleys were purplewith somethingdeeper than the asters.

我关上门，继续写作。起先听他拽木头，闹得我心烦。后来他动手劈柴了。他劈得错落有致，不紧不慢，我很快就把他忘了，那斧声就跟一场绵绵细雨似的对我全无干扰。我估计他劈了有一个半小时吧，因为这时我歇下来舒展一下身子，听见他正走上门口的台阶，夕阳已渐渐沉没在远山的背后，壑谷间一片紫霭，颜色比翠菊还浓。

The boy said, "I have to go to supper now. I can come again tomorrow evening."

这孩子说道：“我得去吃晚饭了。我明晚再来。”

I said, "I"ll pay you now for what you"ve done," thinking I should probably have to insist on anolder boy. "Ten cents an hour"？"

我说：“我这就把你的工钱结了吧，”心想恐怕还得换个大孩子来，“一小时算一毛？”

"Anything is all right."

“怎么都行。”

We went together back of the cabin. An astonishing amount of solid wood had been cut. Therewere cherry logs and heavy roots of rhododendron, and blocks from the waste pine and oakleft from the building of the cabin.

我们一起来到屋后。只见满地都是劈好了的结结实实的木柴，简直令人咂舌。其中有樱桃树的圆木干和杜鹃灌木的粗根，就连盖小屋剩下的废松木和废栎木，也都劈成了大块的木柴。

"But you"ve done as much as a man," I said. "This is a splendid pile."

“你可是跟大人劈得一样多了，”我说，“瞧这么大一堆，太好了。”

I looked at him, actually, for the first time. His hair was the color of the corn shocks, and hiseyes, very direct, were like the mountain sky when rain is pending-gray, with a shadowing ofthat miraculous blue. As I spoke a light came over him, as though the setting sun hadtouched him with the same suffused glory with which it touched the mountains. I gave him aquarter.

我端详着他，说真的，这还是头一回。他的头发呈玉米秫秸的颜色，两眼里一片率真，像是山雨欲来的天空——灰暗中透出那奇异的天蓝。我正说着，忽见他周身一片光亮，仿佛落日那洒满群山的余辉也洒到了他身上。我给了他一枚两角五分的硬币。

"You may come tomorrow," I said, "and thank you very much."He looked at me, and at the coin,and seemed to want to speak, but could not, and turned away.

“你明天来吧，”我说，“多谢你了。”他看看我，又看看硬币，好像要说什么，可又说不出来，就转身离去。

"I"ll split kindling tomorrow," he said over his thin ragged shoulder. "You"llneed kindling andmedium wood and logs and backlogs."

“明天我劈引火柴，”他回过头来又说，衬衣的肩部都磨薄磨破了，“点火柴，引火柴，原木，垫底的，你都用得着。”

At daylight I was half wakened by the sound of chopping. Again it was so even in texture that Iwent back to sleep. When I left my bed in the cool morning, the boy had come and gone, and astack of kindling was neat against the cabin wall. He came again after school in the afternoonand worked until time to return to the orphanage. His name was Jerry; he was twelve years old,and he had been at the orphanage since he was four. I could picture him at four, with the samegrave gray-blue eyes and the same-independence? No, the word that comes to me is"integrity."

第二天黎明时分，一阵劈柴声搅得我似醒非醒。那拍子依然不紧不慢，又把我带回梦乡。我早上起床，天很凉，这孩子来过又走了，只见一堆引火柴整整齐齐码在墙边。他下午放学后又来了，一口气干到该回孤儿院了才歇手。他叫杰里，12岁了，从四岁起就呆在孤儿院。我可以想象他四岁的样子，也是这双郑重其事的灰蓝色眼睛，也是这份自立？不，我想到的词儿是“正直”。

The word means something very special to me, and the quality for which I use it is a rare one.My father had it-there is another of whom I am almost sure-but almost no man of myacquaintance possesses it with the clarity,the purity, the simplicity of a mountain stream.But the boy Jerry had it. It is bedded-on courage, but it is more than brave. It is honest, but itis more than honesty. The ax handle broke one day. Jerry said the woodshop at theorphanage would repair it. I brought money to pay for the job and he refused it.

这个词对我有特殊的含义，我用它来说明一种难得的品格。我父亲就有这种品格——我相信还有别人，但是在我的相识中几乎没有一个人像一泓山泉那般清澈、纯洁和朴素地具备这种品格。然而杰里这孩子就有。他的正直植根于勇气，但又超出勇敢。它是诚实，但又超出诚实。有一天，斧把断了。杰里说孤儿院的木工房给修。我掏出修理费，他不肯收。

"I"ll pay for it," he said. "I broke it. I brought the ax down careless."

“这钱该我出，”他说，“我弄断的。我砍得不小心。”

"But no one hits accurately every time," I told him. "The fault was in the wood of the handle.I"ll see the man from whom I bought it.

“可谁都有个闪失的时候，”我对他说，“都怪木把不结实。我找卖斧子的去。”

"It was only then that he would take the money. He was standing back of his own carelessness. He was a free-will agent and he chose to do careful work, and if he failed, he took theresponsibility without subterfuge.

他这才肯把钱收下。他对自己的疏忽毫不遮掩。他是个自有主意的人，干活就要认真干好，没干好，他就承担责任，决不借故推诿。

中英翻译文章阅读篇7

Nanjing the Beloved City

南京，她有层出不穷的风流人物，和彪炳千秋的不朽业绩。大都会特有的凝聚力，吸引了无数风云人物、仁人志士在这里角逐争雄，一逞豪彦。从孙权、谢安到洪秀全、孙中山，从祖冲之、葛洪到李时珍、郑和，从刘勰、萧统到曹雪芹、吴敬梓，从王羲之、顾恺之到徐悲鸿、傅抱石，还有陶行知、杨廷宝等等，中国历史上一批杰出的政治家、军事家、科学家、文学家、艺术家、教育家、建筑家等荟萃于此，在这块钟灵毓秀的土地上一圆他们的辉煌之梦。他们是中华民族的优秀儿女，巍巍钟山、滚滚长江养育了他们，为他们提供了施展抱负的舞台，他们也以自己的雄才大略、聪明智慧为中华民族的灿烂文明增添了流光溢彩的新篇章。

Nanjing has witnessed the continuous emergence of many distinguished talents and noblehearts as well as monumental achievements that shone through the ages. Attracted by herspecial appeal, a great number of powerful figures and people actuated by high ideals havestayed in or frequented this metropolis to contend for the lead or to give play to their geniusand virtues. Military commanders such as Sun Quan and Xie An; political leaders such as HongXiuquan and Dr. Sun Yat-sen; scientists like Zu Chongzhi, Ge Hong, Li Shizhen and Zhenghe;men of letters such as Liu Xie, Xiao Tong, Cao Xueqin and Wu Jingzi; artists like Wang Xizhi, GuKaizhi, Xu Beihong and Fu Baoshi; educators such as Tao Xingzhi; and architects like YangTingbao—all these renowned historical figures used to settle on this blessed land to have theirsplendid dreams fulfilled. The towering Purple Mountains and billowing Yangtze River nurturedthem and provided them with arenas in which to realize their aspirations. By virtue of theirgenius, vision, and sagacity, these best and brightest sons and daughters of the nation madespectacular contributions to the resplendent Chinese civilization.

南京，她自新中国建立以来发生的巨大而深刻的变化更加使人欢欣鼓舞。从1949年4月23日始，人民真正成为这座古老城市的主人。金陵回春，古城新生，昔日饱尝的屈辱和灾难，至此如同梦魇终被摆脱。人民在自己的土地上辛勤劳作，把古老南京装扮得面貌一新。特别是近十年几来，改革开放又给这座美丽的名城注入了新的活力，崭新的工业、通达的运输、如画的城市建设、兴盛的第三产业、多姿的文化生活，都使这个具有古都特色的现代都市焕发出勃勃英姿。孙中山先生所预言的：“南京将来之发展未可限量也”，正在逐步成为现实。

The tremendous changes that have taken place in Nanjing since New China was founded areeven more inspiring, just as the much quoted couplet from a poem written by the lateChairman Mao Zedong on the occasion of the liberation of the city on April 23, 1949 has it:

The city, a tiger crouching, a dragon curling, outshines its ancient glories;

In heroic triumph heaven and earth have been overturned.

Balmy spring winds returned to bring new life to this historic city, of which the common peoplecame to be the genuine masters. The night marish sufferings and humiliations of the past wereleft behind once and for all. The citizens of Nanjing have been working hard to give this age-oldtown a new appearance. Especially for the past ten years or more, the country’s reform andopening-up policy has infused new vigor into this beautiful and famous city. Newly builtindustries, an efficient transportation network extending in all directions, picturesque urbanconstruction, a booming tertiary industry, a varied and colorful cultural life, all these and moreadded charm and vitality to this modern metropolis, which retains somehow the ambiance andfeatures of an ancient capital. The prophecy of Dr. Sun Yat-sen father of modern China that“Nanjing will have a future that knows no bounds” is becoming true.

南京，这座古老而年轻的历史文化名城，是多么的可爱！

Nanjing, an old city with a rich and celebrated past, yet vigorous in her new youth-how lovelyshe is!

中英翻译文章阅读篇8

The Miao Dragon-Boat Festival

龙船节，是黔东南清水江上苗族人民最盛大的节日。节日里，聚会的苗族同胞，每年有三四万人。

The Dragon-Boat Festival is the most important celebration of the Miao people, who live alongthe Qingshui Rwerin southeastem Guizhou Province. Every year between 30,000 and 40,000Miaos participate in the festivities.

龙，在苗族人心目中是吉祥如意的象征。苗家姑娘最爱将龙的变形图案打制成银饰装点在头上，或刺绣在衣裙中，编织于围腰上。

In the eyes of the Miaos, the dragon is a symbol of good luck. Girls like to adorn their hair withsilver omaments shaped like dragons and wear clothes embroidered or woven with dragonpatterns.

苗族人民制作的龙船，十分精巧、美观。龙身由一只母船和两只子船捆扎而成，叫做“子母船”。无论子船还是母船，皆为独木镂空。两米多长的龙头，用水柳木雕刻，装有一对一米多长的龙角。龙头以主色不同，分为赤龙、青龙、黄龙。从施秉县的平兆到台江县的六河，每个苗族寨子都建有“龙篷”，用来保护龙船。因龙船身长25米，“龙篷”建成七格，每格将近四米长，当地又称之为“七间房”。

The Miaos build exquisite"dragon boats," which are in reality a body formed from three canoes-one large and two small-that are strung together. A carved head, painted red, blue, or yellow, ismade from the trunk of a weeping willow tree. It is 2 meters long and sports a pair of horns. Aspecial shelter in seven parts, extending 28 meters, to house dragon boatshas been built inevery Miao village along the Qingshui River from Pingzhao in Shibing county to Liuhe in Taijiangcounty.

每年农历5月24日至27日，几十个村寨相继举行龙船节。当地习惯，从16日开始，只要全寨薅完秧，本寨的龙船便可下水。因此，从龙船下水的早晚，可以看出各寨的农事生产进度，在勤劳的苗家人民心中，龙船节到了，地里的秧还未薅完，这是莫大的耻辱。

The Miao Dragon-Boat Festivalis celebrated from the 24th to the 27th ofthe fifth lunar month.But according to local custom, people are allowed to send their dragon boats down the riverafter the 16th, provided that they have finished weeding their fields. The earlier appearance ofthe boats onthe river tesifies to the villagers" efficiency, and conscientious peasants con-siderit a shame not to finish weeding before the festivities begin.

节日期间，家家户户酿米酒，包粽粑，走亲访友，宴请宾朋。出嫁的姑娘必须携带粽粑、鹅鸭等礼物回娘家，同父母兄妹团聚。龙船出发之前，一位歌师唱首吉祥歌，祝愿船只平安。

During the festival, each family makes r:ice wine and zongba (a kind of dump-ling made ofglutinous rice) and calls on friends and relatives. Married womenvisit their parents" homesbearing gifts-zongba, geese, and ducks.

每只龙船都有一位鼓头。他是一切活动的主持者，由全寨推选出来的德高望重的老人担任。鼓头身着长袍马褂，坐在龙颈上击鼓发令，男扮女装的鼓锣手，由十岁左右的孩童充任。40位水手，身着青布上衣、士林蓝裤子，腰系银饰花带，手握五尺木桨，整齐划一，甚是威武。水手头上的那特制的马尾斗笠，原是清水江上游苗族姑娘出嫁时的陪嫁品，却成了龙船节水手们必备的一件装饰物。

In each boat, an old man rides straddling the dragon"s neck. He is the mostrespected man inthe village, chosen by the villagers to be the coxswain. Wearing a gown and a mandarinjacket,the old man beats a drum to set the pace for the oarsmen, and severalboys about 10 years ofage, wearmg dresses,beat drums and gongs. The oarsmen, 40 in all, wield 5-foot-longwooden oars. These powerful-looking men wear horsetail-shaped hats, blue jacketsandtrousers, and embroidered waistbands pinned with silver ornaments. The hats, traditionallydowry gifts for girls from the upper reaches of theQingshui River, have become an essentialfeature of the costumes worn bythe dragon-boat oarsmen.

苗族龙船节，与汉族的端午节不同。除时间不同外，一般不举行竞赛，主要活动是串寨子，走亲访友。清晨，龙船开始在江水中游动，所到之处，亲尤们纷纷到岸边“接龙”。龙船过寨，鸣放铁炮传告亲友，岸上以鞭炮声相呼应。亲友们上前，向船上的人各敬两杯米酒，并将礼品--鹅鸭、彩绸挂于龙头。如系女婿、姑舅等至亲，送上的礼物则是猪羊。

The Miao Dragon-Boat Festival differs from the Han celebration. They are not celebrated on thesame date (the Hans" takes place on the fifth day of thefifth lunar month)， and they followdifferent traditions. While the Hans only hold dragon-boat races during the festival, theMiaostake the opportunity to visit friends and relatives. Before a dragon-boat setsout,somebody sings an auspicious song to the boatmen, wishing them agood voyage. Young menset out in boats early in the morning. When they approach a village, they fire guns toannounce their arrival. The villagers setoff firecrackers in response and then go to meet them.The hosts present twocups of rice wine to each oarsman and then tie gifts for their relatives-ducks, geese, and colored silks-onto the heads of the dragons. The tradi-tional gifts for sons-in.law, uncles, and nephews are pigs or sheep.

下午四时左右，龙船靠岸休息，水手们将糯米饭团和肉类放置船帮上就餐。不用碗筷，双手捏出的糯米饭团格外清香可口。岸上的妇女和小孩纷纷前来“讨路边饭”。传说，吃了龙船上的食品，能消灾免难，百事如愿。后来，这就成为传统的风俗习惯。

At 4 p.m. the boats stop alongside the riverbank. The drummers and oars~men on the boatseat glutinous rice balls and meat with their fingers. Womenand children on the shore ask theboatmen to share their food. It is said thateating food from a dragon-boat protects one fromdisaster and gives goodluck.

岸上，还有苗家传统的赛马、斗牛、踩鼓等活动。姑娘们身着节日盛装，应着木鼓鼓点翩翩起舞。飞歌往来，昼夜不绝，青年男女通过对歌，互相了解，建立感情，增进团结和友谊，以致结成幸福家庭。

Horse races and bullfights are held during the festival. Girls in holiday dress dance to theaccompaniment of drums. It is not unusual for young people to meet their future spouses atthe songfests held on festival nights.

中英翻译文章阅读篇9

正直

-From A Mother in Mannville

——节选自《妈妈住在曼菲尔》

M.K.Rawlings

M.K.罗林兹

The Orphanage is high in the Carolina mountains. Sometimes in winter the snowdrifts are sodeep that the institution is cut off from the village below,from all the world. Fog hides themountain peaks, the snow swirls down the valleys, and a wind blows so bitterly that theorphanage boys who take the milk twice daily to the baby cottage reach the door with fingersstiff in anagony of numbness.

在卡罗来纳的山地里，有一座孤儿院坐落在高处。隆冬时节，风雪交加，有时候积雪堆得老高，将孤儿院与山下的村庄乃至整个外界完全隔断。云雾遮蔽了重重峰峦，雪花飞旋着冲人山谷。在呼啸的寒风中，孤儿院的男孩们将一份份牛奶端到育婴房去，一天得跑两趟呢。当他们走到育婴房门口的时候，手指冻得僵硬，一点儿都不听使唤了。

I was there in the autumn. I wanted quiet, isolation, to do some troublesome writing. I wantedmountain air to blow out the malaria from too long a time in the subtropics. I was homesick,too, for the flaming of maples in October,and for corn shocks and pumpkins and black-walnuttrees and the lift of hills. I found them all, living in a cabin that belonged to the orphanage, halfa mile beyond the orphanage farm. When I took the cabin, I asked for a boyor man to comeand chop wood for the fireplace. The first few days were warm, I found what wood I neededabout the cabin, no one came, and Iforgot the order.

我秋天就到了那里。我需要安静，与世隔绝，好从事艰辛的创作。我需要山里的清风，把久居亚热带地区染上的疟疾吹散。我还想起家来，老惦着那十月间的枫叶似火，那一垛垛玉米秫秸，南瓜成堆，黑胡桃林子，还有隆起的山丘。我住在孤儿院的一间小屋里，距院农场有半英里，这一切尽收眼底。我住进去的时候，要求派个男孩或者男人帮我劈柴烧壁炉。头几天还算暖和，我在小屋的四周捡了点木柴，没见人来，也就把这话给忘了。

I looked up from my typewriter one late afternoon, a little startled. A boystood at the door,and my pointer dog, my companion, was at his side and had not barked to warn me. The boywas probably twelve years old, but undersized. He wore overalls and a torn shirt, and wasbarefooted.

一天傍晚，我正在打字，猛抬头不禁吃了一惊：有个男孩站在房门口，而跟我做伴的猎狗竟在他身边默默呆着，连个招呼也没跟我打一声。这孩子大概有12岁，不过个子没那么大，他穿着一条工装裤，一件破旧的衬衣，光着两脚。

He said, "I can chop some wood today."

他说：“我今天可以劈点儿木柴。”

I said, "But I have a boy coming from the orphanage."

我说：“可我请了孤儿院的孩子来劈。”

"I"m the boy."

“我就是。”

"You? But you"re small."

“是你？可你还小呢。”

"Size don"t matter, chopping wood," he said. "Some of the big boys don"t chop good. I"ve beenchopping wood at the orphanage a long time."

“劈柴火可不论个头儿，”他说，“有的大孩子还劈不好呢。我在孤儿院劈了好长一阵了。”

I visualized mangled and inadequate branches for my fires. I was well into my work and notinclined to conversation. I was a little blunt."Very well. There"s the ax. Go ahead and see whatyou can do."

我想象中出现了砍得乱七八糟的树枝子，供不上壁炉烧的。我一心在写作，没有心思搭理他，话也说得有点生硬：“好了好了，去拿斧子吧。先劈劈再看吧。”

I went back to work,closing the door. At first the sound of the boy dragging brush annoyedme. Then he began to chop. The blows were rhythmic and steady, and shortly I had forgottenhim, the sound no more of an interruption than a consistent rain. I suppose an hour and ahalf passed, for when I stopped and stretched, and heard the boy"s steps on the cabin stoop,the sun was dropping behind the farthest mountain, and the valleys were purplewith somethingdeeper than the asters.

我关上门，继续写作。起先听他拽木头，闹得我心烦。后来他动手劈柴了。他劈得错落有致，不紧不慢，我很快就把他忘了，那斧声就跟一场绵绵细雨似的对我全无干扰。我估计他劈了有一个半小时吧，因为这时我歇下来舒展一下身子，听见他正走上门口的台阶，夕阳已渐渐沉没在远山的背后，壑谷间一片紫霭，颜色比翠菊还浓。

The boy said, "I have to go to supper now. I can come again tomorrow evening."

这孩子说道：“我得去吃晚饭了。我明晚再来。”

I said, "I"ll pay you now for what you"ve done," thinking I should probably have to insist on anolder boy. "Ten cents an hour"？"

我说：“我这就把你的工钱结了吧，”心想恐怕还得换个大孩子来，“一小时算一毛？”

"Anything is all right."

“怎么都行。”

We went together back of the cabin. An astonishing amount of solid wood had been cut. Therewere cherry logs and heavy roots of rhododendron, and blocks from the waste pine and oakleft from the building of the cabin.

我们一起来到屋后。只见满地都是劈好了的结结实实的木柴，简直令人咂舌。其中有樱桃树的圆木干和杜鹃灌木的粗根，就连盖小屋剩下的废松木和废栎木，也都劈成了大块的木柴。

"But you"ve done as much as a man," I said. "This is a splendid pile."

“你可是跟大人劈得一样多了，”我说，“瞧这么大一堆，太好了。”

I looked at him, actually, for the first time. His hair was the color of the corn shocks, and hiseyes, very direct, were like the mountain sky when rain is pending-gray, with a shadowing ofthat miraculous blue. As I spoke a light came over him, as though the setting sun hadtouched him with the same suffused glory with which it touched the mountains. I gave him aquarter.

我端详着他，说真的，这还是头一回。他的头发呈玉米秫秸的颜色，两眼里一片率真，像是山雨欲来的天空——灰暗中透出那奇异的天蓝。我正说着，忽见他周身一片光亮，仿佛落日那洒满群山的余辉也洒到了他身上。我给了他一枚两角五分的硬币。

"You may come tomorrow," I said, "and thank you very much."He looked at me, and at the coin,and seemed to want to speak, but could not, and turned away.

“你明天来吧，”我说，“多谢你了。”他看看我，又看看硬币，好像要说什么，可又说不出来，就转身离去。

"I"ll split kindling tomorrow," he said over his thin ragged shoulder. "You"llneed kindling andmedium wood and logs and backlogs."

“明天我劈引火柴，”他回过头来又说，衬衣的肩部都磨薄磨破了，“点火柴，引火柴，原木，垫底的，你都用得着。”

At daylight I was half wakened by the sound of chopping. Again it was so even in texture that Iwent back to sleep. When I left my bed in the cool morning, the boy had come and gone, and astack of kindling was neat against the cabin wall. He came again after school in the afternoonand worked until time to return to the orphanage. His name was Jerry; he was twelve years old,and he had been at the orphanage since he was four. I could picture him at four, with the samegrave gray-blue eyes and the same-independence? No, the word that comes to me is"integrity."

第二天黎明时分，一阵劈柴声搅得我似醒非醒。那拍子依然不紧不慢，又把我带回梦乡。我早上起床，天很凉，这孩子来过又走了，只见一堆引火柴整整齐齐码在墙边。他下午放学后又来了，一口气干到该回孤儿院了才歇手。他叫杰里，12岁了，从四岁起就呆在孤儿院。我可以想象他四岁的样子，也是这双郑重其事的灰蓝色眼睛，也是这份自立？不，我想到的词儿是“正直”。

The word means something very special to me, and the quality for which I use it is a rare one.My father had it-there is another of whom I am almost sure-but almost no man of myacquaintance possesses it with the clarity,the purity, the simplicity of a mountain stream.But the boy Jerry had it. It is bedded-on courage, but it is more than brave. It is honest, but itis more than honesty. The ax handle broke one day. Jerry said the woodshop at theorphanage would repair it. I brought money to pay for the job and he refused it.

这个词对我有特殊的含义，我用它来说明一种难得的品格。我父亲就有这种品格——我相信还有别人，但是在我的相识中几乎没有一个人像一泓山泉那般清澈、纯洁和朴素地具备这种品格。然而杰里这孩子就有。他的正直植根于勇气，但又超出勇敢。它是诚实，但又超出诚实。有一天，斧把断了。杰里说孤儿院的木工房给修。我掏出修理费，他不肯收。

"I"ll pay for it," he said. "I broke it. I brought the ax down careless."

“这钱该我出，”他说，“我弄断的。我砍得不小心。”

"But no one hits accurately every time," I told him. "The fault was in the wood of the handle.I"ll see the man from whom I bought it.

“可谁都有个闪失的时候，”我对他说，“都怪木把不结实。我找卖斧子的去。”

"It was only then that he would take the money. He was standing back of his own carelessness. He was a free-will agent and he chose to do careful work, and if he failed, he took theresponsibility without subterfuge.

他这才肯把钱收下。他对自己的疏忽毫不遮掩。他是个自有主意的人，干活就要认真干好，没干好，他就承担责任，决不借故推诿。

中英翻译文章阅读篇10

A Singer Who Always Wins

王蒙

Wang Meng

有一位歌手，有一次她唱完了歌，竟没有一个人鼓掌。于是她在开会的时候说道：“掌声究竟能说明什么问题呢？难道掌声是美？是艺术？是黄金？掌声到底卖几分钱一斤？被观众鼓了几声掌就飘飘然，就忘乎所以，就选成了歌星，就坐飞机，就灌唱片，这简直是胡闹！是对灵魂的腐蚀！你不信，如果我扭起屁股唱黄歌儿，比她得到的掌声还多！”

Once a singer finished her performance without receiving any applause from the audience.Afterwards she remarked at a meeting, “What does applause mean? Is it beauty, art, or gold?How much is it worth after all? Once one gets some applause, one’s head will swell. And onewill be treated like a star, given free plane trips and invited to have one’s voice recordedeverywhere. It’s ridiculous! It is nothing but corruption of the mind! Believe it or not, if I hadswayed my hips and sung obscene songs, I would’ve got more applause than the stars.”

她还建议，对观众进行一次调查分析，分类排队，以证明掌声的无价值或反价值。

Then the singer came up with a suggestion that the audience should be investigated, analysed,and classified in order to prove their applause being worthless or even worse for its negativeeffects.

后来她又唱了一次歌，全场掌声雷动。她在会上又说开了：“歌曲是让人听的，如果人家不爱听，内容再好，曲调再好又有什么用？群众的眼睛是雪亮的，群众的心里是有一杆秤的，离开了群众的喜闻乐见，就是不搞大众化，只搞小众化，就是出了方向性差错，就是孤家寡人，自我欣赏。我听到的不只是掌声，而是一颗颗火热的心在跳动！”

Later, she gave another performance which won thunderous applause from the audience. Shespoke at another meeting, “Songs are to be appreciated by the audience. What’s the use ofsongs with good content and nice melody if no one likes them? The audience is the best judgewho knows how to strike a balance in the heart. Without the masses’ appreciation, one willonly be serving the few instead of many. And one will be taking the wrong direction by keepingaloof from the masses and indulging in self-admiration. What I heard from the audience wasnot only warm applause, but the beatings of their warm hearts!”

过了一阵子，音乐工作者又开会，谈到歌曲演唱中的一种不健康的倾向和群众的趣味需要疏导，欣赏水平需要提高。她便举出了那一次唱歌无人鼓掌作为例子，她宣称：

Some time later, members of the musical circles held a symposium and suggested that anunhealthy tendency should be stopped in singing performances, that appreciation levels beraised and good taste be cultivated. The singer then cited her first performance that haddrawn no applause from the audience and claimed,

“我顶住了！我顶住了！我顶住了！”

“See, I dared it! The unhealthy tendency! I dared it indeed!”

又过了一阵子，音乐工作者又开会，谈到受欢迎的群众歌曲还是创作、演唱得太少。她又举出了另一次掌声如雷的例子宣称：

After a period of time, there was another symposium among the musical circles. This time it wasproposed that more popular songs be composed and sung. And the singer took her secondperformance as an example to prove her claim,

“我早就做了，我早就做了，我早就做了！”

“See, I did it! The popular songs! I did it indeed!”

中英翻译文章阅读篇11

Nanjing the Beloved City

南京，她有层出不穷的风流人物，和彪炳千秋的不朽业绩。大都会特有的凝聚力，吸引了无数风云人物、仁人志士在这里角逐争雄，一逞豪彦。从孙权、谢安到洪秀全、孙中山，从祖冲之、葛洪到李时珍、郑和，从刘勰、萧统到曹雪芹、吴敬梓，从王羲之、顾恺之到徐悲鸿、傅抱石，还有陶行知、杨廷宝等等，中国历史上一批杰出的政治家、军事家、科学家、文学家、艺术家、教育家、建筑家等荟萃于此，在这块钟灵毓秀的土地上一圆他们的辉煌之梦。他们是中华民族的优秀儿女，巍巍钟山、滚滚长江养育了他们，为他们提供了施展抱负的舞台，他们也以自己的雄才大略、聪明智慧为中华民族的灿烂文明增添了流光溢彩的新篇章。

Nanjing has witnessed the continuous emergence of many distinguished talents and noblehearts as well as monumental achievements that shone through the ages. Attracted by herspecial appeal, a great number of powerful figures and people actuated by high ideals havestayed in or frequented this metropolis to contend for the lead or to give play to their geniusand virtues. Military commanders such as Sun Quan and Xie An; political leaders such as HongXiuquan and Dr. Sun Yat-sen; scientists like Zu Chongzhi, Ge Hong, Li Shizhen and Zhenghe;men of letters such as Liu Xie, Xiao Tong, Cao Xueqin and Wu Jingzi; artists like Wang Xizhi, GuKaizhi, Xu Beihong and Fu Baoshi; educators such as Tao Xingzhi; and architects like YangTingbao—all these renowned historical figures used to settle on this blessed land to have theirsplendid dreams fulfilled. The towering Purple Mountains and billowing Yangtze River nurturedthem and provided them with arenas in which to realize their aspirations. By virtue of theirgenius, vision, and sagacity, these best and brightest sons and daughters of the nation madespectacular contributions to the resplendent Chinese civilization.

南京，她自新中国建立以来发生的巨大而深刻的变化更加使人欢欣鼓舞。从1949年4月23日始，人民真正成为这座古老城市的主人。金陵回春，古城新生，昔日饱尝的屈辱和灾难，至此如同梦魇终被摆脱。人民在自己的土地上辛勤劳作，把古老南京装扮得面貌一新。特别是近十年几来，改革开放又给这座美丽的名城注入了新的活力，崭新的工业、通达的运输、如画的城市建设、兴盛的第三产业、多姿的文化生活，都使这个具有古都特色的现代都市焕发出勃勃英姿。孙中山先生所预言的：“南京将来之发展未可限量也”，正在逐步成为现实。

The tremendous changes that have taken place in Nanjing since New China was founded areeven more inspiring, just as the much quoted couplet from a poem written by the lateChairman Mao Zedong on the occasion of the liberation of the city on April 23, 1949 has it:

The city, a tiger crouching, a dragon curling, outshines its ancient glories;

In heroic triumph heaven and earth have been overturned.

Balmy spring winds returned to bring new life to this historic city, of which the common peoplecame to be the genuine masters. The night marish sufferings and humiliations of the past wereleft behind once and for all. The citizens of Nanjing have been working hard to give this age-oldtown a new appearance. Especially for the past ten years or more, the country’s reform andopening-up policy has infused new vigor into this beautiful and famous city. Newly builtindustries, an efficient transportation network extending in all directions, picturesque urbanconstruction, a booming tertiary industry, a varied and colorful cultural life, all these and moreadded charm and vitality to this modern metropolis, which retains somehow the ambiance andfeatures of an ancient capital. The prophecy of Dr. Sun Yat-sen father of modern China that“Nanjing will have a future that knows no bounds” is becoming true.

南京，这座古老而年轻的历史文化名城，是多么的可爱！

Nanjing, an old city with a rich and celebrated past, yet vigorous in her new youth-how lovelyshe is!

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